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Alex Haley

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Alex Haley

Haley as a young man in the U.S. Coast Guard
Born August 11, 1921(1921-08-11)
Ithaca, New York[1]
Died February 10, 1992 (aged 70)
Seattle, Washington
Occupation Writer, Novelist
Genres African American literature
Notable work(s) Roots: The Saga of an American Family, The Autobiography of Malcolm X with Malcolm X

Alexander Murray Palmer Haley (August 11, 1921 – February 10, 1992) was an American writer. He is best known as the author of Roots: The Saga of an American Family and The Autobiography of Malcolm X (written in collaboration with Malcolm X).

Contents

[edit] Early life

Haley was born in Ithaca, New York as the oldest of three sons to Simon Alexander Haley and Bertha Palmer. Haley lived with his family in Henning, Tennessee before he returned to Ithaca with his family when he was five years old. Haley's father was a professor of agriculture at Cornell University and a decorated World War I veteran. The younger Haley always spoke proudly of his father and the incredible obstacles of racism he had overcome. Alex Haley was enrolled at Alcorn State University at age 15. Two years later he returned to his parents to inform them of his withdrawal from college. Simon Haley felt that Alex needed discipline and growth and convinced his son to enlist in the military when he turned 18. On May 24, 1939, Alex Haley began his 20-year service with the Coast Guard.

He enlisted as a mess-boy and then became a Petty Officer Third Class in the rate of Steward , one of the few rates open to African Americans at that time. It was during his service in the Pacific theater of operations that Haley taught himself the craft of writing stories. It is said that during his enlistment he was often paid by other sailors to write love letters to their girlfriends. He talked of how the greatest enemy he and his crew faced during their long sea voyages wasn't the Japanese but boredom.

Alex Haley's boyhood home in Henning, Tennessee (2007)

After World War II, Haley was able to petition the Coast Guard to allow him to transfer into the field of journalism, and by 1949 he had become a Petty Officer First Class in the rating of Journalist. He later advanced to Chief Petty Officer and held this grade until his retirement from the Coast Guard in 1959. He was the first Chief Journalist in the Coast Guard.[2]

Haley's awards and decorations from the Coast Guard include the American Defense Service Medal (with "Sea" clasp), American Campaign Medal, Asiatic-Pacific Campaign Medal, European-African-Middle Eastern Campaign Medal, World War II Victory Medal, Coast Guard Good Conduct Medal (with 1 silver and 1 bronze service star), Korean Service Medal, National Defense Service Medal, United Nations Service Medal, and the Coast Guard Expert Marksmanship Medal. [3]

[edit] Writing career

After his retirement from the Coast Guard, Haley began his writing career and eventually became a senior editor for Reader's Digest. He also was the ghostwriter for Profiles in Courage[citation needed] , although his contributions to this book were from more of a stylistic, editing standpoint.

[edit] Playboy magazine

Haley conducted the first interview for Playboy magazine. The interview, with jazz legend Miles Davis, appeared in the September 1962 issue. In the interview, Davis candidly spoke about his thoughts and feelings on racism and it was that interview that set the tone for what became a significant feature of the magazine. Martin Luther King, Jr.'s Playboy Interview with Haley was the longest he ever granted to any publication. Throughout the 1960s, Haley was responsible for some of the magazine's most notable interviews, including an interview with American Nazi Party leader George Lincoln Rockwell, who agreed to meet with Haley only after Haley, in a phone conversation, assured him that he was not Jewish. Haley remained calm and professional during the interview even though Rockwell kept a handgun on the table throughout it. Haley also interviewed Cassius Clay, who spoke about changing his name to Muhammad Ali. Other interviews include Jack Ruby's defense attorney Melvin Belli, Sammy Davis, Jr., Jim Brown, Johnny Carson, and Quincy Jones. He completed a memoir of Malcolm X for Playboy six months before Malcolm X died in February 1965. The memoir was published in the July 1965 issue of the magazine.

[edit] Roots

In 1976, Haley published Roots: The Saga of an American Family, a novel based loosely on his family's history, starting with the story of Kunta Kinte, kidnapped in Gambia in 1767 and transported to the Province of Maryland to be sold as a slave. Haley claimed to be a seventh-generation descendant of Kunta Kinte, and Haley's work on the novel involved ten years of research, intercontinental travel and writing. He went to the village of Juffure, where Kunta Kinte grew up and which is still in existence, and listened to a tribal historian tell the story of Kinte's capture.[1] Haley also traced the records of the ship, The Lord Ligonier, which he said carried his ancestor to America. Genealogists have since disputed Haley's research and conclusions and Haley made an out-of-court settlement with Harold Courlander, who had sued him for plagiarism.

The village elder of Juffure commented, in 1983, to a visiting engineer, that Haley had taken what the Juffure people had provided, made himself a lot of money with it, but had never returned to Juffure or helped the village in any way.

Haley was briefly a "writer in residence" at Hamilton College in Clinton, New York. He began to write "Roots" there. Many local people remember Haley fondly. He enjoyed spending time at a local bistro "The Savoy" in Rome New York where he listened to the piano player. Today, there is a special table in honor of Haley with a painting of Alex writing "Roots" on a yellow legal tablet.

Haley said the most emotional moment of his life was on September 16, 1975, when he stood at the site in Annapolis, Maryland where his ancestor had arrived 200 years before. Roots was eventually published in 37 languages and Haley won a Special Award for it in 1977 from the Pulitzer Board. Roots was also made into a popular television miniseries that year. The film reached a record-breaking 130 million viewers when it was serialized on television. Roots emphasized that African Americans have a long history and that not all of that history is lost, as many believed. Its popularity sparked an increased public interest in genealogy, as well.

In 1979, ABC aired the sequel miniseries Roots: The Next Generations, which continued the story of Kunta Kinte's descendants, concluding with Haley's arrival in Jufureh. Haley was portrayed (at various ages) by future soap opera actor Kristoff St. John, The Jeffersons actor Damon Evans, and Tony Award winner James Earl Jones.

[edit] Later years

Alex Haley's grave beside his boyhood home in Henning, Tennessee (2007)

In the late 1970s, Haley began working on a second historical novel based on another branch of his family, traced through his grandmother Queen—the daughter of a black slave woman and her white master. Haley died in Seattle, Washington of a heart attack with the story unfinished and was buried beside his childhood home in Henning, Tennessee. At his request, it was finished by David Stevens and was published as Alex Haley's Queen; it was subsequently made into a movie in 1993.

Late in his life, Haley acquired a small farm in Norris, Tennessee, adjacent to the Museum of Appalachia, with the intent of making it his home. Subsequent to his death, the property was sold to the Children's Defense Fund (CDF), which calls it the "Alex Haley Farm" and uses it as a national training center and retreat site. An abandoned barn on the farm property was rebuilt as a traditional cantilevered barn, using a design by architect Maya Lin. The building now serves as a library for CDF.[4]

The main galley at the U.S. Coast Guard Training Base at Petaluma, CA is named "Haley Hall" in his honor.

In 1999, the U.S. Coast Guard honored Haley by naming the cutter Alex Haley after him.

Haley was also posthumously awarded the Korean War Service Medal from the government of South Korea ten years after his death. This award, created in 1999, did not exist during Haley's lifetime.

[edit] Plagiarism and other criticism

Alex Haley claimed he spent ten years researching his heritage for his historical novel, Roots, which in 1977 was adapted as a TV miniseries. That same year he was awarded a Pulitzer Prize and the Spingarn Medal for the book, but a year later his reputation was marred by an accusation of plagiarism. After a trial, Haley settled out-of-court for $650,000, having been accused of plagiarizing more than 80 passages from The African by Harold Courlander.[5] Haley claimed that the appropriation of Courlander's passages had been unintentional.[6] In 1978, Courlander went to the U.S. District Court of the Southern District of New York, charging Haley with plagiarism of The African. Courlander's pre-trial memorandum in the copyright infringement lawsuit stated: "Defendant Haley had access to and substantially copied from The African. Without The African, Roots would have been a very different and less successful novel, and indeed it is doubtful that Mr. Haley could have written Roots without The African. . . . Mr. Haley copied language, thoughts, attitudes, incidents, situations, plot and character."

In his report submitted to the court in this lawsuit, Professor of English and expert witness on plagiarism, Michael Wood of Columbia University, stated: "The evidence of copying from The African in both the novel and the television dramatization of Roots is clear and irrefutable. The copying is significant and extensive....Roots...plainly uses The African as a model: as something to be copied at some times, and at other times to be modified; but always, it seems, to be consulted. . . . Roots takes from The African phrases, situations, ideas, aspects of style and of plot. . . . Roots finds in The African essential elements for its depiction of such things as a slave's thoughts of escape, the psychology of an old slave, the habits of mind of the hero, and the whole sense of life on an infamous slave ship. Such things are the life of a novel; and when they appear in Roots, they are the life of someone else's novel."

After a five-week trial in federal district court, Courlander and Haley settled the case, with Haley making a financial settlement and a statement that "Alex Haley acknowledges and regrets that various materials from The African by Harold Courlander found their way into his book Roots."

During the trial, presiding U.S. District Court Judge Robert J. Ward stated, "Copying there is, period." In a later interview with BBC Television, Judge Ward stated, "Alex Haley perpetrated a hoax on the public."

During the trial, Alex Haley had maintained that he had not read The African before writing Roots. Shortly after the trial, however, Joseph Bruchac, an instructor of black literature at Skidmore College, came forward to swear in an affidavit that in 1970 or 1971 (five or six years before the publication of Roots) he had discussed The African with Haley and had, in fact, given his "own personal copy of The African to Mr. Haley."

Haley has been accused of fictionalizing true stories in both his book Roots and The Autobiography Of Malcolm X. Malcolm X's family and members of The Nation of Islam accused Haley of changing selected parts of his story. He left out three chapters from the Autobiography which have only been seen by several people. These chapters reportedly expand on the two organizations that Malcolm had created, and offered more evidence into the role the FBI and CIA possibly had in his death. This information was made public on Pacifica Networks "Democracy Now. [7]

In addition, the veracity of those aspects of Roots which Haley claimed to be true has also been challenged.[8] Although Haley acknowledged the novel was primarily a work of fiction, he did claim that his actual ancestor was Kunta Kinte, an African taken from the village of Juffure in what is now The Gambia. According to Haley, Kunta Kinte was sold into slavery where he was given the name Toby and, while in the service of a slavemaster named John Waller, went on to have a daughter named Kizzy, Haley's great-great-great grandmother. Haley also claimed to have identified the specific slave ship and the actual voyage on which Kunta Kinte was transported from Africa to North America in 1767.

Historical marker in front of Alex Haley's boyhood home in Henning, Tennessee (2007)

However, genealogist Elizabeth Shown Mills and historian Gary B. Mills revisited Haley's research and concluded that those claims of Haley's were false.[9][10] According to the Millses, the slave named Toby who was "owned" by John Waller could be definitively shown to have been in North America as early as 1762. They further said that Toby died years prior to the supposed date of birth of Kizzy. There have also been suggestions that Kebba Kanji Fofana, the amateur griot in Jufureh, who, during Haley's visit there, confirmed the tale of the disappearance of Kunta Kinte, had been coached to relate such a story.[11][12].

To date, Haley's work remains a notable exclusion from the Norton Anthology of African-American Literature, despite Haley's status as history's best-selling African-American author. Harvard University professor Dr. Henry Louis Gates, Jr., one of the anthology's general editors, has denied that the controversies surrounding Haley's works are the reason for this exclusion. Nonetheless, Dr. Gates has acknowledged the doubts surrounding Haley's claims about Roots, saying, "Most of us feel it's highly unlikely that Alex actually found the village whence his ancestors sprang. Roots is a work of the imagination rather than strict historical scholarship."[13]

[edit] Recordings

[edit] References

  1. ^ a b ALEX HALEY (1921-1992)
  2. ^ http://www.uscg.mil/history/people/Alex_HaleyBio.asp
  3. ^ http://www.uscg.mil/history/people/Alex_HaleyBio.asp
  4. ^ "Museum staff members visit Alex Haley Farm", Museum of Appalachia Newsletter, June 2006
  5. ^ Fein, Esther B. (1995-03-19). "Book Notes". The New York Times. http://select.nytimes.com/gst/abstract.html?res=F00613FC3E580C708CDDAA0894DB494D81. 
  6. ^ Crowley, Anne S. (1985-10-24). "Research Help Supplies Backbone for Haley's Book". Chicago Tribune. http://pqasb.pqarchiver.com/chicagotribune/access/25059144.html?dids=25059144:25059144&FMT=ABS&FMTS=ABS:FT&type=current&date=Oct+24%2C+1985&author=Anne+S+Crowley%2C+Associated+Press&pub=Chicago+Tribune+(pre-1997+Fulltext)&edition=&startpage=10.H&desc=RESEARCH+HELP+SUPPLIES+BACKBONE+FOR+HALEY%27S+BOOK. 
  7. ^ www.democracynow.org/2007/5/21/manning_marable_on_malcolm_x_a -
  8. ^ Nobile, Philip. "Uncovering Roots", The Village Voice, February 23, 1993; pp. 31-38
  9. ^ Mills, Gary B. and Elizabeth Shown Mills. "Roots and the New 'Faction': A Legitimate Tool for CLIO?", Virginia Magazine of History and Biography, January, 1981
  10. ^ Mills, Gary B. and Elizabeth Shown Mills. "The Genealogist's Assessment of Alex Haley's Roots", National Genealogical Society Quarterly, March, 1984
  11. ^ MacDonald, Edgar. "A Twig Atop Running Water -- Griot History", Virginia Genealogical Society Newsletter, July/August, 1991
  12. ^ The Roots of Alex Haley. Documentary. Directed by James Kent. BBC Bookmark, 1996
  13. ^ Beam, Alex. "The Prize Fight Over Alex Haley's Tangled 'Roots'", Boston Globe, October 30, 1998

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